前身是皇軍軍港(gǎng )的(de )吳港，戰後成(🏽)為船(chuán )塢工(gōng )人的生活煉獄。在(🕰)資本家剝削(xuē )(🔧)和(hé )枯燥生活的雙重煎(🔬)熬下，躁動(💤)的(de )年輕(📿)生(🌫)命，一頭栽進暴(bào )力漩渦，延擱成長，終日(rì )(🎩)在打(🗄)鬥、賭博、酗酒中(✳)尋找暫(🛹)時的麻醉。吉田(tián )喜重通過工(gōng )頭(tóu )之眼，對不(🖍)合(hé )理的社會現(😱)實(🐖)作出欲迎還拒(🌙)的批(🧚)判，被視為日本新浪潮代(🔢)表作(💱)之一。香(xiāng )(🌊)山美子(🥔)飾(💻)演純真的(de )酒館(🐑)女(🏂)待，同情工(gōng )人卻慘被強(💪)姦，正與負的能量，在大(dà )時代中比拼互滲，可(🏯)有(yǒu )(🤳)超越對與(yǔ )(🐀)錯，是(🧣)與非的位置(zhì )？片末火(❕)車站送別一場(chǎng )，在(zài )家和社(shè )會之間(jiān )，吉田喜重作出了(le )左翼的(de )選(💅)擇。　　One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come.　(👫)　- SummerIFF 2007